Category: creativity

13
Mar

The Creative Work Series: Part 3

    What's your inner creative process?

In creative professions, nothing kills imagination like a juicy ideology.

An ideology is a set of beliefs, ideas, and expectations widely held in an industry, company or office. Ideologies conceal themselves as conventional wisdom. They feel habitual and natural.  Sometimes ideologies are “best” practices in agencies few openly question. You’ve probably experienced an ideology at the office: “We use x method for our brainstorming, presentation, pitch or creative work sessions… that’s just our process; I don’t know why…it just is.”

It’s not always easy to recognize ideologies in creative work. That’s because rules and conventional thinking don’t apply to jobs that ask people to run into the frontier of imagination. Creative work is highly personal, idiosyncratic, messy and peppered with gray areas. And yet there are methods and tools to pull forming ideas onto screens, pages, conversations, meetings, and whiteboards.

There’s safety in Conventional Wisdom

In creative work, and in agencies, in particular, a few big “idea” systems are popular right now. Design thinking, postmodern, neuroscience-driven design are big buzzy ideologies we’ve all come across.  Of course, best practices are vital processes for creative work, that isn’t a problem, what company couldn’t use a system to get everyone collaborating and creating together?  At the heart of design thinking, for example, are kernels of practical truths creatives can use—changing habits in terms of capturing high-quality creative ideas, style, technique or approach.

I’m not calling out the icons in creativity, neuroscience, or design thinking.  I’m interested in opening up a dialogue about how we adapt and accept tools in creative fields. How we often dismiss our internal mushy hunches and follow convention. How tips or wisdom meant to free our minds become roadblocks.

In fact, my aim here is the opposite of criticism, it’s a dialogue.  It’s important to question and turn over popular ideas, separate them out from the what’s mere marketing filler. As any creative will tell you, coming up with novel ideas requires flexibility. The best creatives are eager to test out new tools or processes. But we shouldn’t cleave to an idea because everyone in the office loves it unquestionably.

 High-Stakes Creative 

Creative work is a high-stakes trade.  It’s applied imagination with expectations of a big return on investment. Corporations want creative brand, marketing, products, words, visuals, logo, design, and thinking done on their behalf out in the world.  Creativity adds equity, contributes to bottom lines and boosts shareholder confidence.  Research shows that creative advertising and content tends to be more effective and memorable than tradition-bound ads. People enjoy and remember what’s novel, strange or delightful. This matters in our crowded public sphere.

For on-the-ground creatives the pressure’s on to ideate, produce, perform and scale new aesthetic and experiential heights. I’ve talked to amazing and talented people who describe feelings of dread and excitement with assignments. They feel pressure to run out into the frontiers of what’s possible, making sure consumers or audiences, like, buy, share and circulate.

The creative product, they say, must look original, radically inventive and beyond the corners of the assignment with ROI.  An ask worthy of an existential sigh.

With these expectations, creatives seek out the latest tools, coaches, tips, hacks, models, programs. Anything promising creative empowerment.

Don’t Default To Others

Lots of strategists and designers come through our offices, and some speak authoritatively and enthusiastically to the disruptive qualities of design techniques, a leader they love or the latest news in design thinking. We listen and politely nod. We don’t judge. We get it.

It’s hard to resist cleaving to beliefs we think matter to decision makers. When knowing design best practices and trends can tip the scales in your favor, who wouldn’t want to talk expertly about the new tools in creative and professional worlds?

As I listen to talented creatives, the conversations are always smart and interesting. Even if some people stumble on how exactly they’ve applied design thinking or other similar frameworks to projects, I still eagerly listen.  After these interviews or talks, my mind goes to Pablo Picasso’s summary of his creative process. “I close my eyes and begin.” Closing the eyes, to me, means turning off the surface layers of brain chatter and venturing into the quieter, unknown parts of the brain. Shutting off ideologies, beliefs and what everyone else is doing.

You’re Creative Signature

There’s a radical equality in creative professions we overlook. It begins with our interior process. Our imagination, flashes of ideas, hunches, skills we’ve honed transformed into stories, campaigns, plans,  buildings, projects, products-you name it.   Any tool teaching methods, systems we use can only channel our raw materials.  A teacher or tool isn’t creativity.

Writer Zadie Smith describes these raw materials as a signature of skill, flexibility, skill and sheer will.

When I meet creative colleagues I’m more likely to ask questions along the lines of  ‘What books are you reading? What’s your latest piece of technology? What assignment taught you the most about your skill level? What manager/leader inspired you to tweak your skill set? What’s the most important creative fail of your career, so far?’  These questions set the stage for design thinking or any thinking for that matter.

In other words, creativity and imagination start with the what’s inside our heads.  What’s known, latent and lurking.

I think where creative ideologies fail most for people is when they default to what others believe over their own intuition and knowledge.  Instead, let’s look inside. What’s our signature creative talent, skill, curiosity, capabilities? This translates into action: What are we reading, doing, experimenting, studying, thinking about? In what ways are our eyes set on stretching our capabilities and frontiers into the new?

That’s a creative ideology we should all endorse.

30
Jan

Wake Up and Go to Sleep

 

woman-918981_1920

 

 

 

Are you yawning, eyes struggling to focus, as you settle down to read this? Or perhaps you’ve just refilled your coffee cup for the third time in an effort to “stay focused.” For many of us, the workday stretches well into the night. Last minute emails sent during dinner, presentations tweaked before bed and early “pre” work-work to jump ahead of the day.  If rumors are true, many now disgraced public figures are floating the excuse that it was a lack of sleep and grinding schedules that contributed to their bad behavior. 

For the rest of us, continuous work cycles carry lots of risks and relatively few rewards. According to sleep researchers, bad decision making in business begins, in part, tended to happen when participants showed poor impulse control or let emotions run wild. Without a good sleep schedule, people make poor decisions, are more irritable and tend to be uncreative and imaginative.

It may boost the ego to feel in demand but the quality of work, clarity of mind and decision making suffer when we keep our minds spinning rather than taking rest, float into downtime and sleep.

Francis Bacon said, “silence is the sleep that nourishes wisdom” meaning our best selves need regenerative nourishment.

 Recent studies have confirmed that Americans do not get enough sleep, with more than a third of adults getting less than seven hours a night, which may be just as bad at not sleeping at all.

Many bad decisions in negotiations we may very literally be working ourselves to death.

Even Arianna Huffington, the queen of productivity, has gotten onboard. Her latest book, “The Sleep Revolution,” touts the benefits of getting more shut eye in order to be more creative, productive, and even happier. In her 2010 TED Talk, where she advised attendees to “sleep their way to the top,” Huffington tackled the culture of “sleep deprivation one-upmanship” that has led people to brag about how little rest they’re getting and how much they’re doing.

We’ve adopted a culture where we struggle to recognize or justify our own value unless we’re in a constant state of being in-demand. When we’re too busy, have too many conflicting deadlines and back-to-back meetings, it’s easy to trick ourselves into believing that just compromising on a few hours of sleep is the best answer. But ongoing sleep deprivation, even losing just a few hours a night, can lead to health risks, lowered creativity, trouble concentrating or even an inability to function through the workday. And, according to the National Sleep Foundation, sleep is something that can’t be caught up on later.  

What can we do? Powering down all electronics, at least one hour before bed may be our biggest goal. By signaling to your brain that it’s time to relax, it can start the necessary process to prepare for sleep. Having a nightly ritual, like meditation, reading or putting on some extra comfy pajamas, can help ease your mind to make the transition from the busy workday to the world of Morpheus.

So, next time you’re getting lost in your work at 2 am and feeling that charge that comes from knowing your ideas are flowing and you’re bringing value to the table, just remember how much you’ll suffer for missing those extra zzz’s tomorrow. Or as Huffington says, “I urge you to shut your eyes and discover the great ideas that lie inside us, to shut your engines and discover the power of sleep.”

16
Aug

Dare To Vacation

Summer is quickly coming to an end.  And with friends and colleagues chasing the coming eclipse we’re talking in the office about the importance of vacation, time away from solving complex problems, working toward new solutions, an ordinary day at work.

Vacations, while important, are fraught with anxiety. Often times, I think I can’t be away from projects, clients, and deadlines.  At the same time,  I crave retreat time and the unfolding of my thoughts, habits, and routines, I’m anxious at stepping away from my devices. And I’m not alone.

With Americans working more hours than any other industrialized nation, and with research making it clear that all of our overworking isn’t getting us ahead, it’s time to take a look at our work/life balance.

As we’ve explored before, creative brains lose focus when they don’t get enough sleep and can greatly benefit from disconnecting. But in an industry where there’s a seemingly never-ending line of projects to finish and deadlines to meet, sometimes, things fall a little off balance. A recent study found that 87% of knowledge workers admit to working more than a typical 40-hour workweek, and 23.4% put in more than 50 hours a week. And 71% of responders admitted that they were unhappy about putting in the extra time. The corporate, and even creative, work cultures have unwittingly created an environment that is literally wearing us down.

As one of the founders of a creative company, I see the importance of maintaining work/life balance not only for myself and my own well-being but for our teams and employees. If we’re not setting a good example at the top, it’s likely the rest of the team won’t feel they have the freedom to take care of themselves as well. With that in mind, we put together a list of ways that we maintain work/life balance for ourselves and encourage our employees to follow:

Put Health First
From mental health to physical ailments and even sick family members, when our well-being is on the line, we must take the time to take care of ourselves (or our loved ones). From exercising and eating right to taking a sick day when we need to, in order to bring balance back to our lives, we need to put our health — and that of our employees — first.

Encourage Passion Projects
We are firm believers that passion projects drive innovation, and encouraging those passion projects for ourselves and our team members allows us all some much needed creative freedom and the ability to take a sanctioned break from our day-to-day. The result, hopefully, is that we’ll all feel re-inspired and reinvigorated.

Respect Creative and Personal Refresh Time
Creative companies tend to lead the corporate pack when it comes to setting examples for prioritizing the importance of “free time.  Reclaiming weekends and evening hours makes for happier and more productive employees. It’s simple, and yet many companies still cling to the ethical virtues of round the clock availability.  Certainly, emergencies happen, snafus occur, but establishing and maintaining clear signs around peoples’ free time sends a clear message, we can’t lose sight of our or our team’s humanity.

Promote Vacation Time
Maybe we can’t all offer unlimited vacation time, and there’s some controversy on whether or not it actually discourages employees from taking time off, but we can make it clear that vacation time is meant to be taken. From working with employees who never seem to use their two weeks, to touting the benefits of travel directly and taking our own vacations, we need to ensure that taking time off is seen as a worthy path to nurturing the creative soul.

That’s just a small list of how we can begin to incorporate better work/life balance into our days. How do you or your company encourage better living through less?

 

photo courtesy of Leio McLaren/Unsplash

03
Aug

Your Need For Serious Fun Explained

The Oishii team just finished up an exciting week at Comic-Con! And while work brought us to San Diego for the usually artful cross-promotional programming, costuming and fantasy fetes, (Check out our latest promo done for TBS for Conan and his amazing full week of live #ConanCon) we like the play time too. Like most attendees, there’s more to Comic-Con than cosplay, interactive mise-en-scenes and celebrity hero panels.

Comic-Con is an adventure, it’s what can be called play with a purpose.

Wait, what? What is play with a purpose you may be asking yourself?

We adults, even creative professionals, have lost a strong sense of play in our lives.  According to David Whitebread at the University of Cambridge, the traits of playfulness, qualities of mischievousness or curiosity,  have played critical roles in human evolution.  Along with language, culture, and technology, says Whitebread, play has shaped and honed our problem-solving skills and thinking skills.  With every achievement, whether in philosophy, mathematics, art, engineering or economics, people toiled and may have had loads of fun too.

In our increasingly complicated world, with distractions everywhere, it’s not hard to see how we might need to tap into our the play in our evolutionary bones.

 

But it’s not so simple; we can’t just frolic around the office, giggle our way through meetings.  Play’s got serious social and individual biases to overcome.  At the individual level, we adults don’t know how to integrate play into our identities, it wasn’t taught, encouraged beyond playgrounds. There are no “rules” for play on the road to adulthood.  In fact, the quintessential mark of adulthood means leaving behind childish qualities of excessive playfulness.  Play really drops out of our lives and thinking in our professional ventures. We adults measure must ourselves through the lenses of professional accomplishments and work.  Play becomes trivial and without purpose.  Play happens on the other side of our packed work schedules, beyond the world of responsibilities. As the work worshiping Victorians liked to say, we earn play through hard work. For us post-industrial workaholic types, play is for those seeking to relive their childhoods. It’s more suited for the whimsical minded millennial types at the Brooklyn adult preschool.

But the truth is, we’ve lost sight of play and its dynamics, its role in our survival.   We need to develop an integrated and practical sense of play; an altogether new way of thinking that allows us to problem-solve, innovate and dream up novel ideas and solutions. Play can help us tap into our best human selves.

Play keeps us curious and full of wonder.

In the mid twentieth century, influential pediatrician Benjamin Spock championed for the seriousness of kids’ play. Play for Spock gave kids confidence and skills to climb the ladder of intellectual development. Disguised as fun, kids learned key life lessons for their complicated adult lives.

With the help of recent research science, creativity studies and neuroscience, we’re beginning to quantify and understand the workings of the qualities of playfulness. It’s getting close to possible to see and measure the effects of playfulness in our brains.  According to a recent German study of 3000 subjects, researchers found that subjects who used the traits of playfulness showed higher levels of performance on a variety of tests than those with less playful traits.  Under the right conditions, a dose of play helped people solve complex problems, find compatible romantic partners and turn monotonous work tasks into interesting ones. While the study represents an emerging field of study, it nonetheless confirms what every fidgety, doodling day dreamer knows: play activates senses and piques awareness. Play is a tool for taking in and sorting information and it helps us process and churn through our brains and bodies. Play starts curiosity which can open up doorways for seeing and observing.  Our brains churn and process with play in altogether new ways. That’s play at its most practical and inspiring.

park-troopers-221402 (2)

 

This research confirms what many in business see as the foundations of innovation.  Companies and leaders are measured in part by ambition and hubris. How far an individual, teams and a company are willing to dream, aspire and stretch themselves.  Ambition requires among many traits the qualities playfulness, roguishness, whimsy and a can-do spirit.  And play is a good trait as any to give companies the push to innovate or even stop stagnating, gain some competitive space.  Take the Microsoft PC hardware business for example.  Microsoft has suffered many public failures against innovating behemoth Apple. And while Apple chased mobile products, Microsoft has been quietly letting loose armies of visionaries and design thinking types across its product lines.  Surely Microsoft won’t be ready to compete anytime soon, but their investment and fresh if not radical approach hint at what it’s capable of in the future.

The idea of playfulness works at a global level too. Aren’t the traits of play, inventiveness and creative thinking part of what the world most admires about America and American entrepreneurialism? Our “creative competitiveness” and ability to innovate across business, in media and entertainment, manufacturing and technology rest on this notion of dreamers restlessly chasing ideas, connecting and innovating and in the process solving the world’s ever increasing complex social and business problems.  When Elon Musk waxes poetic of his desire for commercial space travel to Mars, he’s tapping into his strong sense of play for his business but also for the rest of us, his decision to “change the rules of Space travel” is meant to pique our curiosity in our otherwise firmly earth bound lives.

Early in the twentieth-century Modern art provocateur Henri Matisse, said, “creative people are curious, flexible, persistent and independent with a tremendous spirit of adventure and a love of play.”    Matisse was writing at a time when the modern art world, controlled by traditionalists, rejected his style and techniques as outlandish and a threat to accepted norms in realistic painting.  His hunches only reinforce what dynamics playing out in psychology, technology, and business every day. To harness playfulness is to open up the senses, get curious and follow hunches into the unknown.  Play shakes up our senses, prompts us to see and ask new questions. Play can reframe our perspectives.

So, go out, have some play, dress up and dream big at Comic-Con and beyond!

 

 

photos courtesy of Oishii Creative, Tedd Kelly @unsplash

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

18
May

Break Your Creative Bubble

 

 

 

zachary-nelson-192289 (1)Oishii’s Kate Canada Obregon was recently asked to talk about diversity for The Drum News. As you might expect from Oishii, she challenged peers to break creative conceptual bubbles, the safe zones for creating content for audiences. Audiences are tired of safe and simple recycled creative. Whether a creative advertising campaign or brand visual refresh, audiences want new ways of seeing their world.  Telling good stories means stepping into the many shades, values and geographies and telling our collective history. We’re not talking art or design that speaks from on high, tucked away in a museum. A successful promo can act as a window into the ways we are  bound together under a community, country, politics and culture while giving an unexpected burst of inspiration. Audiences will continue to ignore commercial creative work unless it can satisfy. inspire and sustain.  Here’s to crafting the art between story and design, telling poignant and diverse stories for us all.

 

24
Mar

Office Matters: Why Your Work Space Makes You A Better Creative

Anyone who’s come to our office knows we value the power and functionality of a well-crafted creative space. From the constant flood of natural light to Ish’s art collection to the eclectic array of found furniture from around the world, we’ve tried to make a space that’s both stimulating yet comfortable and cozy. Renowned London designer  Reno Macri knows all too well the science, art and productivity aspects of building the right office for creative teams, and we’re thrilled he’s shared with us some of his latest insights on why office environment can make us better, flexible and creative thinkers.

 

jeff-sheldon-3225

 

There are many reasons why the design of an office is important, ranging from making a positive impression on clients, to ensuring each of your staff members have sufficient space, to more general office branding strategies. However, one of the most important reasons is the influence design can have on employee behaviour.

Indeed, workplace surroundings can impact upon staff members’ productivity, communication, customer service, etiquette and even their attendance. In this blog post, we look at how ideas surrounding design and office space planning can positively change the behaviour of your employees.

 

  1. FlexibilityMany businesses make the mistake of opting for either open plan or closed-space offices, depending on how important collaboration and privacy are. Yet, in reality, one of the best ways to improve employee behaviour is to provide an element of choice, because employees’ needs may change over the course of a working day.

    Collaboration is important, which is why open plan offices have emerged as the dominant design. Yet,research from Steelcasefound that the 11 percent of employees with the best access to workplace privacy were the most satisfied with their surroundings. The solution, therefore, is to provide workers with a design that offers them both.

    2. Branding

    In addition to pure office space planning, the branding of a workplace can influence employee behaviour. Through intelligent use of company logos, slogans, buzzwords and colour schemes, employees can be continuously reminded of who they represent and what their mission is.

    “Employee behaviour and health are influenced by company culture as well as space design,” says Cyril Parsons, managing director of Office Principles. Through office branding, a business can communicate culture clearly.

    3. Biophilic Design

    Finally, in recent times, studies have shown the importance of including natural elements, such as sunlight and plants, into office design. In fact, the Human Spaces Global Report highlights the fact that office workers with access to natural light and greenery have a 13 percent higher level of well-being.

    Multiple studies have shown a correlation between well-being and productivity, while Human Spaces found that biophilic design also enhances creativity and reduces absenteeism.

 

tim-gouw-60216

Reno is a founder and director of a leading exhibition and event company Enigma Visual Solutions, specialising in retail designs, interiors, graphic productions, signage systems, office branding, event branding, exhibition stands design and much more. He specialises in experiential marketing and event productions. He enjoys sharing his thoughts on upcoming marketing ideas and design trends. Feel free to follow him on twitter.

 

26
Jan

Mary Tyler Moore And Broad Girls: Why Culture Always Needs Funny, Strong Women

 

 

Broad City

This week saw the season finale of two different series about women whose story arcs have been surprising, fresh and appealing, not because they’re shocking in their bad behavior, but in how realistic it is, especially to a Millennial audience that desperately craves authenticity. HBO’s Girls and Comedy Central’s Broad City may not be on-air ratings smashes, but you can be sure that their target audience is binging — perhaps on their laptops or with their parent’s HBO Go passwords; most likely with a second screen in hand, but they are tuning in for the kind of authentic, experience-driven content that marketers should take note of.

Even as ad sales models are shifting in our ever-changing industry, audiences will always be drawn to television, so long as the content feels culturally relevant and speaks directly to them.


Forty years ago, America’s Sweetheart on the small screen was Mary Tyler Moore, a traditionally beautiful good girl, who’d risen to fame playing the eternally patient wife to Dick Van Dyke on his title show, before being granted her own namesake series, which lasted seven seasons and won, at the time, a record-breaking 29 Emmys. From 1970 to 1977,
The Mary Tyler Moore Show appealed to a wide audience of women, especially those who were young and working full-time, because it was one of the first shows to portray an independent, childless working woman who, on top of everything, was succeeding. Mary was smart, driven, hard-working, kind and gorgeous. She had the career, a love life on her terms and strong female friendships, to boot. Mary had it all.

But where Mary succeeded — in both her fictional life and the very real network ratings — by being aspirational, creating something today that appeals to this generation of young working women must be approached differently. Instead of searching for role models, today’s Millennials want authentic and complicated, experience-driven characters.

Which is why the girls of Broad City and the broads of Girls are so appealing to this generation.

They defy inherited expectations about career, clothes and relationships. Which isn’t to say  Abbi and Ilana are dismissive of looking good and having glossy ideal lives, they certainly want careers and love. In their sketch comedy humour is used to hilariously pick apart these expectations.

Unlike Mary, none of them are in truly successful careers, relationships or even necessarily well-dressed. On Broad City, Abbi, the straight-laced of the two, is desperately trying to work her way up at a SoulCycle stand-in that doesn’t fully embrace her, while Ilana, her sexually fluid, polyamorous best friend drifts from job to job as she’s asked to leave each of them. They drink, they get high, and they navigate dating in the era of Tinder and “Hookup Culture” in a way that all feels fresh, and, most importantly, real.

It’s no coincidencegirls that both series were developed by their stars, who took their real-life experiences to parlay them into fictional versions of themselves. In Girls, show creator and star Lena Dunham’s main character, Hannah’s, friendships are as dramatic, if not more than her romantic relationships, something Dunham has said was important to portray in contrast to shows like Sex in the City, which had previously set the standard for portrayals of female friendships among young working women.

Says Dunham, “I kind of also felt like it was aspirational about friendship… for me, that kind of friendship is elusive. I feel like a lot of the female relationships I see on TV or in movies are in some way free of the kind of jealousy and anxiety and posturing that has been such a huge part of my female friendships, which I hope lessens a little bit with age.”

Millennials defy our expectation. Their lives are complicated, messy, exciting and unique. They don’t want to be spoken down to, they don’t even want our encouragement; they want to see themselves, or at least recognizable version of themselves, in their entertainment and even marketing. And as the business of television and how we reach our audiences continues to change, now, more than ever, content of any type has to be more than just marketable and engaging. It has to be real.

06
Jan

7 Reasons Why Introverts Are Your Secret Weapon

Although businesses, especially creative ones, are full of myriad personalities, when talking about how to manage, we tend to group people into two main types – extroverts and introverts. And, while every strong team can benefit from a balance of both, we tend to value and admire the outwardly expressive personality types, projecting them with positive qualities such as warmth, confidence, and intelligence, overlooking their more introspective peers.

That’s big mistake, according to our Chief Strategy Officer and Co-Founder Kate Canada Obregon, who shared her insights with Everyday Power in her article “7 Reasons Why Introverts Are Your Secret Weapon.” Read the full article here and find out how introverts can capitalize on their secret strengths.

22
Dec

Relax Your Brain with a Staycation in Style

It’s the holiday season and the end of another year. You’ve probably got loads of work projects waiting for your attention in 2017 and meetings stacked and scheduled deep into January. The client wants your ear, while office problems demand your know-how and problem-solving skills.

But, the supply chain, the creative teams, the leadership retreat and the new product release can wait. Now is the time to stop and retreat. Yes. Retreat into the waiting outdoors or, if weather’s an issue, take a tumble into the inviting coziness of your living rooms. The adventure of quiet awaits.

Your whirling and multitasking brain needs time doing little beyond daydreaming, pausing and refreshing. The neuroscience and cognitive benefits of time away from our overthinking work lives are clear. Your brain requires quiet, calm and loads of free space to revive and look at things differently.  So, hunker down with family, friends and binge a few shows, but don’t forget to overindulge in nothing in particular.

We’ve curated some of the great aesthetic escapes of the last couple decades as our way to inspire you to do nothing, albeit always with style.

70s-interior-design-8564-luxury-70s-home-design

7081382213_ba1562539b_b

chase2

ad_921

 
4324063861_306a3d0775_b

28
Oct

Goodbye Vine: What We Learned from Vine Sensation Ian Padgham

In honor of yesterday’s news that Twitter will be shutting down the 6-second video platform Vine, we wanted to revisit our interview with Vine artist sensation and Twitter animator/producer Ian Padgham, where he gave us insight into how we can all be more creative, even in 6 seconds. 

At Oishii Creative, we believe design thinking can’t be constrained; it fuels innovation and helps us think big. In our Think Like A Tourist series, we explore life at the intersection of creativity, thinking and technology. We recently asked Vine artist sensation and Twitter animator/producer Ian Padgham about what inspires him, and how he makes six seconds feel so dramatic, engaging and big.

What artists or music inspires you in your work? Why?
Albrecht Dürer, M.C. Escher, Bill Watterson, Bob Ross.

When did you start working on the Vine platform? What attracted you to it?
The day it came out. I liked the ability to produce content immediately and share it just as fast. Nothing saps the creativity and joy out of a project like months of meetings and revisions.

How does Vine compare to other mediums?
While Vine is little more than animated GIFS with sound, there is something truly special about the platform. This is partly due to the community, and partly due to the fact that, at least initially, it was a production toolkit with incredibly limiting parameters. That has since changed, but I think the ethos of DIY ingenuity continues to set the tone.

Which project do you find most inspiring and creative?
Projects that have no precedent and no goal other than creating something delightful and different.

What inspires you as an artist? Where do you find your stories to capture/tell?
I’m not a huge fan of the word inspiration. It feels like it’s saying that something out there is giving us a hint of what is cool, like we need to find a muse that will show us the way. I think stories and ideas just come from letting our minds off their leashes and letting them roll around in the park.

In 2013, observers pointed out that Vine was built on “constraints.” It allows you make edits and stitch them together for a story. You’ve worked out Vine’s constraints and taken shots and motion into a new medium. What does your process look like?
It depends on the Vine. Some Vines I make up as I go along, literally letting the animation flow out frame by frame without forethought.


Warning: A non-numeric value encountered in /nfs/c05/h05/mnt/16967/domains/oishiicreative.com/html/wp-content/plugins/ultimate-social-media-icons/libs/controllers/sfsi_frontpopUp.php on line 63