Tag: entertainment

11
Jul

Television and The Modern Family Mash-Up

Image courtesy of Hapticgeneration.com

Image courtesy of Hapticgeneration.com

Audiences gravitate towards stories about families because they capture the quirky, imperfect, and often hilarious dynamics of our own lives, and as a content creator, television is uniquely positioned to mirror our changing families and to help audiences navigate what it all means. Only recently, however, has the story been so colorful, and crowded. Here’s a look at how the changes in American families and their continually complicated stories get played out in entertainment.

In the 1950s, the family was viewed as one cohesive functional unit and the need for conformity was a recurring theme in programming. Demographically speaking, television reflected the fact that American households were primarily white, and on TV, white families stood in for other ethnic groups. After World War II, US consumers had more discretionary income and the population was growing. With more money and bigger families, people began moving to the then-new suburbs. Television telegraphed these demographic changes, turning raw data into stories that fueled shows as The Real McCoys, The Donna Reed Show, Bewitched and Father Knows Best.

By the 1970s, the American family had begun a process of dramatic change. Divorce rates doubled, we saw the development of blended families, and the face of the American public was becoming a true melting pot, a multicultural mixture of ethnicities, races and religions under a single American identity. Again, television reflected these changes, now playing off family tension in such popular shows as the ground-breaking All In The Family and its spinoffs Maude, Good Times and The Jeffersons.

Recent demographic changes have further upended American society and culture. We are more diverse than ever, and in a demographic first, immigrant families accounted for the majority of births in 2010. Census data also indicates that there is no longer a “typical” American family as they are headed by divorced, married, single parents, married couples and a rising number of same-sex married and unmarried couples.

This new data reflects our changing attitudes about families and the ways parents and kids should live and love. It is opening up a new canvas on which we can write stories and create meaningful content that is truly modern and celebrates everyone in the household. I have no doubt that television will continue to play a critical role in shaping and depicting family stories and in doing so, attract more audiences.

This is an edited excerpt of Oishii Partner Kate Canada Obregon’s article “Television and The Modern Family Mash-Up,” which appears on Cynopsis Cynsiders. You can read the full text of the article here: http://www.cynopsis.com/cyncity/television-modern-family-mash/

 

04
Apr

Millennials Make Us Better Creatives

Image via blog.mindjet.com

Image via blog.mindjet.com

Many of our colleagues recently gathered in London for the PromaxBDA Europe conference. One of the talks discussed provided some insight into new data around Millennials, specifically on their hopes, dreams and trust levels.

For us in the entertainment and branding spaces, Millennials are important. Their tastes, interests and desires will directly imprint and shape our creative efforts, process and work. Depending on how young or old you skew this group, there are any number of key and actionable insights for media and entertainment. Our job is to translate these values into tangible creative and experiences. We interpret them in order to inspire and connect with Millennials in particular — and audiences in general — in a genuine and meaningful way.

According to the last Pew Research, Millennials describe themselves as motivated by the values of individuality, authenticity, optimism and integrity. At the same time, however, this group has surprisingly little trust for people and society. A scant 19% of respondents said they trusted other people and governments. This is not often seen in this way nor explicitly mentioned as a trend we should worry about. I think we should at the very least think about this paradox, and turn it into an opportunity.

How can people have so little trust and at the same time describe themselves as generally optimistic? In Psychology there’s a term called cognitive dissonance. It is a situation where a person feels uncomfortable, stressed even, because they hold two contradictory values at the same time. I want to prod us creatives into a state of “dissonance” because I think it will, in the long run, make us think and work smarter.

We shouldn’t be so sanguine about Millennials’ distrust because we are, in our unique way, functioning as institutions just like any other social or political organization. We create within the social fabric, shaping and distributing stories, ideas and values, into content. Whether we’re experimenting with the latest ad tech, native advertising or app, thinking about and understanding our cultural role, and the way we create to savvy digital natives, gives us a chance to work more intelligently and differently.

Talk about disruption. Listening to young audiences and consumers, building their trust and earning their respect — now that’s creative that I want to be a part of.

 


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